Well I guess our Now and Later project didn’t quite make the cut, but before I knew that I made a couple of visits to the shop. So I figured I would go ahead and post my trips that I recorded. As far as the reaction I got from the lady at the store, well there’s not to much to tell. It was only with the first purchase that I got much of a reaction. She kind of gave me a small laugh and said “just one?”, I responded,yes, it’s ten cents right? and that was it. After that, I guess she figured I just had a craving for a Now and Later every friday around lunch time. She never really acted like it was anything weird with my following purchases. I tried to stop by every friday around mid-day to make my purchase, this worked for the most part except for the one time use of a monday. I wanted a set schedule to follow, and this time was most convenient for me because of classes. The idea of this experiment was good and I enjoyed it, I only wish it would have held up as a project. I think it would have been interesting to see what everyones results were, reactions they got, times they went, and even patterns created by their purchases.
Documentation of the NOW AND LATER
1st visit: one cherry flavor bought at 11:36 AM on Friday the 27th of March.
2nd visit: one banana flavor 1:06 on Friday the 3rd of april
3rd visit: one cherry flavor 1:30 on Friday 10th of april
4th visit: one fruit punch flavor 12:51 on Monday the 13th of april
5th vist: one green apple flavor 11:44 on Friday the 17th of april
STEP 1: GET LAP TOP AND HEAD PHONES


This project required us to Intensely observe what was happening around us. We were to pick a table somewhere on Tate Street and spend 30 minutes observing our surroundings. I decided to go to Tate Street coffee to do my observing, I sat towards the front of the shop so I could get a good scope or view of everyone. Through out the 30 minutes I observed the space around me by looking for reoccurring patterns and noises. I tried to look for distinct characteristics in certain groups around me. I begin to predict what their next actions would be, for example, when and how they would drink their coffee or when a group would burst into laughter or conversation. I also recorded the space around me, like what the furniture looked like, what I was sitting on, what was on the walls and what the walls were made of.
Basically I covered all the senses and used them to figure out patterns and habits of people in the room. I recorded sounds like coffee mixers and cash registers, the smell of coffee beans, the texture of furniture, the sound of light and loud conversation, and the taste of the coffee itself. I recorded all these things on the paper we received in class. I liked this project because it reminded me of the over heard conversation assignment. Except this project went a little more in depth allowing us to incorporate the space around us.
With this project we had to bring in a 2-D object that we found interesting or beautiful. Then on wednesday we went to the Weatherspoon art gallery to find our 2-D object a soulmate. This soulmate was to be a piece of art work in the gallery that shared a connection or completeness with our object. My object was a Cheerwine bottle cap i found on the ground near Yum-Yum’s. I picked this as my object because it has this retro look to it that just hold’s a lot of character. It’s not like a perfect shape either it’s kind of scuffed up dirty and bent out of shape. These traits that are usually unappealing, i feel actually helps add a lot to it’s character. When we went to the art gallery it took me awhile to find something that i could connect with my object with. Finally I found the perfect match for my object, the Chiclets piece by Joseph Stella. 
In an hour we were to create a drawing that followed previously set limitations. This drawing was about pure and non-stop activity recorded through drawing in exactly an hour. Before I started the drawing I broke the hour up into 15 min segments in which I did a different form of repetition in each. The first 15 min. I filled the page completely with circles. Once that 15 min was up I moved onto the next set, where I ripped pieces of artist tape into strips and connected the circles with their ends for 15 min.


Using only value, we were to create a drawing on paper that accurately documented the outcome of a physical event or activity. For this project i decided to record the action of throwing a ball against a wall. I stood about 3 or 4 ft away from the wall and bounced the ball where it would ricochet off back to me. The way I broke the shades/values up was through the amount of time In each set, in which I tried to up the amount of throws and catches. In My first segment I threw the ball 10 sec. From there I added 10 sec. to each following set, so the 2nd set would be 20 sec., 3rd set 30 sec. and so on until I reached a minute. The values got darker as I made more catches. A few of the sets I had to start over, because The ball bounced weird or I missed catching the ball completely. These misses are documented by my lightest value the vertical white/translucent lines. In the Drawing I tried to document the repetition of the bouncing ball, by drawing the motion it was going through and giving it a distinct size (smaller less catches) and value (darker more catches). I got progressively a little better in the later sets, but I found you can only throw it so fast or hard with out letting it get away from you. I added impact waves to represent the ball hitting the ground, this part of the drawing acted as my smoke.
In our value drawings we had to use different gradations from light to dark. Everyone got a stencil in which we used to shade inside of, using no line what so ever. My stencil was an X, I wanted to fill up the whole page by layering the X’s on top of each other. Even though the X’s were laid down in a random fashion, they began to create an interesting composition. The X’s almost start to look like snow falling. Naturally the darker shades come out at you, but I think the lighter shaded X’s provide this background that brings an unexpected depth to the drawing.